Sarah Hirsch

Choreographer, dancer,
movement maker.

Sarah Hirsch is a London-based choreographer and contemporary dancer whose work bridges the worlds of opera, dance film, independent performance, and music video. Her practice is rooted in an ongoing exploration of physicality, perception, and the emotional atmospheres that movement can create.

Originally from Miami, Sarah's early training laid the groundwork for a career defined by versatility and curiosity. She went on to study at the DAF Dance Arts Faculty in Rome before earning her MFA in Dance Performance at Trinity Laban Conservatoire of Music and Dance in London, where she was awarded the Leverhulme Scholarship — a distinction recognising exceptional artistic promise.

At Trinity Laban, Sarah became a member of Transitions Dance Company, performing works by established choreographers and touring to diverse audiences. Her time there deepened her commitment to collaborative creation and expanded her movement vocabulary through intensive workshops with companies including Akram Khan Company, Ultima Vez, and Gecko Theatre.

As a performer, Sarah has worked across some of the UK's most prestigious stages. Her credits include The Nutcracker with English National Ballet, Rigoletto at the Royal Opera and Ballet, Peter Grimes with Welsh National Opera, and multiple productions with Garsington Opera. She has worked closely with choreographers such as Anna Morrissey and Lucy Burge, bringing a distinctive blend of technical precision and emotional depth to each production.

As a choreographer, Sarah creates work that is immersive, sensory-driven, and deeply collaborative. Her piece Magnetoreception, co-created with Philip McDermott under Odyl Creations, was presented at the Edinburgh Fringe Festival and Resolution Festival at The Place. More recently, her choreographic work Adira — exploring female strength, beauty, and resilience — has been developed for both film and live performance at Lambeth Fringe.

Whether crafting movement for a grand opera stage or an intimate dance film, Sarah's approach is always the same: to create work that resonates physically and emotionally, inviting audiences into a shared sensory experience. She is interested in the spaces between disciplines — the points where dance meets theatre, film, and visual art — and in building movement languages that feel both precise and deeply intuitive.